Now blind and aged, Oedipus, with his daughter, Antigone, arrive at a place just outside of Athens called Colonus. Though warned by a villager that this place in which they wish to reside is sacred, possessed by the all-seeing Eumenides (Furies), a land of Poseidon and Prometheus, and the founding stone of Athens, Oedipus refuses to leave. A past prophecy has determined that the sacred grove of the Eumenides at Colonus, will be the site of his death, and here he is determined to stay.
Oedipus at Colonus Jean-Antoine-Théodore (1788) source Wikipedia |
But lo, into the fray rides his daughter, Ismene, bringing news that Oedipus' youngest son, Eteocles, has seized the throne of Thebes from the elder, Polynices, and both sons have heard from the oracle that the outcome of their conflict will depend entirely on the location of their father's burial. Yet there is more treachery! Creon (brother-in-law to Oedipus) is, as she speaks, on his way to ensure that Oedipus will be buried at the border of Thebes, without the ceremony, in an attempt to negate the oracle's proclamation.
Oedipus at Colonus Fulchran-Jean Harriet (1798) source Wikipedia |
Denouncing them all as villains, Oedipus meets with Theseus, King of Athens who shows sympathy for his predicament, offering unconditional protection and making him a citizen of his country. How Oedipus praises his saviour, and declares that his beneficent actions will ensure Athens victory in any altercation with Thebes!
When Theseus exits, Antigone announces the advent of Creon. At first, he attempts to manipulate Oedipus using pity, but when he sees this tact will not bring him success, he admits to kidnapping Ismene, and grabs Antigone to forcibly take her away. Theseus returns in kingly grandeur to scold Creon, then the Athenians overpower the Thebians, returning both girls to their father.
Oedipus Cursing Polynices (1786) Henri Fuseli source Wikipedia |
A thunderstorm ensues, which portends Oedipus' passing. Oedipus gifts Theseus with the promised gift of protection for Athens and then passes into Hades. When Antigone wishes to see his tomb, Theseus refuses in response to a promise to Oedipus, never to reveal the location of his tomb. Antigone departs to attempt to stop her brothers' conflict.
There is a curious dichotomy in this play with regard to the character of Oedipus. In spite of the fact he is an exiled, blind old man, with a terrible curse upon him, rarely do you find him subject to the other characters. In fact, Antigone listens closely to his counsel, he has a command and influence over Theseus, he manages to overcome Creon, and also best his son by refusing to assist him. On the outside, he is aged, infirm and at the mercy of his hosts, but in actuality, Oedipus is the master of each situation.
Yet Oedipus also places emphasis on his innocence with regard to his crimes. Again and again, he proclaims to the chorus of Athenian men that he had no pre-knowledge of his transgressions and was, therefore, blameless. This was a different reaction from Oedipus Rex, where he seemed to take the crimes on to himself, and punish himself for them.
The Death of Oedipus (1784) Henry Fuseli source Wikipedia |
While on one level, the trials and sufferings born by Oedipus seemed somewhat random in Oedipus Rex, in Oedipus at Colonus we see a culmination of prophecy. By his exile, Oedipus is brought to the sacred grove of the Eumenides (Furies), fulfilling prophecy, and although this exile was brought about by a curse, Oedipus is actually turned into a hero-type figure by bringing blessing and protection upon the important city of Athens.
Of the 123 plays that Sophocles wrote, only seven complete plays have survived. That makes me want to cry. However, parts of plays are still being discovered. In 2005, additional fragments of a play about the second siege of Thebes, Epigoni, were discovered by employing infrared technology by classicists at Oxford University. So there is hope that the ancients can still speak to us through time (and new technology) and, as Gandalf said, that is a very comforting thought, indeed!
The book was completed for my Classics Club Spin #6.
Translated by David Grene
Edited by David Grene & Richard Lattimore
Great review! I agree that it would be wonderful to uncover a new play by Sophocles. There are quite a few gaps in our knowledge of ancient theatre, and finding new plays might help us solve some of the puzzles. Not to mention it would be great just to be able to read more from these excellent playwrights! :)
ReplyDeleteThanks so much! I'm really having a great time reading this trilogy.
DeleteIt's quite fascinating and surprising that there are still ancient texts being found. I was just reading the other day that more of Augustine's sermons were found in 1975 and 1990. Who knows what they may find next!
Wouldn't it be awesome if they found more of Sophocles lost plays! Glad to see your post on this work. I just posted my older commentary on Oedipus at Colonus as well.
ReplyDeleteDid you know they even found Papyrus of Ancient Greek Music, including pieces from plays. (http://www.amazon.com/Music-Ancient-Greeks-Mesomedes/dp/B000003KWE)
Ooo, thanks for the link! That's fascinating. I have no idea what to expect from ancient Greek music. I've added it to my wish list.
DeleteI've read your review and I just commented. Curses and blessings abound in these plays, don't they? I can't wait to read Antigone ~~ I loved it when I read it years ago and now, having the other two plays to compare it with, should make it doubly (or triply) interesting!
Wow! I loved it! It's hard to characterize the music. At first I wanted to say "sinister" (yes, horror!), then I wanted to say "eerie" and then "ethereal", but none of these words fit. I hear an almost Asian tone during part of it.
DeleteI especially loved the hymn. Very beautiful.
Thanks so much for sharing this!