Is it my imagination or, as we are nearly at the end of these tales, are the pictures of the pilgrims improving? Or perhaps they are only better preserved. A Manciple, for those who don't know (me!), is a purchasing agent for a college, monastery or other institution.
The Host wishes the Cook to tell the next tale but, sadly, the Cook is dead drunk, and the Manciple offers to take his place, merrily deriding the Cook for his condition. Enraged, the Cook attempts to strike the Manciple but ends up falling from his horse. The pilgrims manage to remount him on his hack and the Manciple is scolded for chiding the Cook, and, to make up, the Manciple offers the Cook a drink. He then begins his tale.
The Manciple's Tale
Phoebus and Boreas (1879) Gustave Moreau source Wikiart |
Phoebus also had a lovely wife, who he loved more than he loved his own life. Jealous for his spouse's love, he ensured that he acted toward her with kindness and manly conduct, confident that she would not stray from his affections. But a caged bird, wishes for its freedom no matter what its treatment and:
"(A good wife) Should not be checked and spied on, that is plain,
And truly it is labour all in vain
To check a wicked wife; it can't be done.
It's imbecility, say I for one,
For men to waste their labour checking wives,
And so the ancients say who wrote their lives."
Middle English:
Sholde nat been kept
in noon awayt, certayn;
And trewely the
labour is in vayn
To kepe a shrewe,
for it wol nat bee.
This holde I for a
verray nycetee,
To spille labour for
to kepe wyves:
Thus writen olde clerkes in hir lyves.
One day, when Phoebus was away, his wife sent for her "bully", and proceeded to deceive her husband, as the crow in its cage looked on. When Phoebus returned, the crow trilled out the words, "Cuckoo! Cuckoo!" and then informed Phoebus of his wife's indiscretion. In a towering rage, Phoebus slew his wife, yet immediately remorse came upon him for his deed.
"O fainting trust, O prompting to suspect,
Where was your thought and wisdom to direct?
O every man, beware how you are moved,
Never believe but what is strongly proved!
Strike not too soon, ere you can reason why,
Be soberly advised before you try
To execute your justice and assuage
Suspicion by the acting of your rage.
Alas, a thousand in their hasty ire
Have been undone and brought into the mire."
Middle English:
O wantrust, ful of
fals suspecion,
Where was thy wit
and thy discrecion?
O every man, be war
of rakelnesse!
Ne trowe no thyng
withouten strong witnesse.
Smyt nat to soone,
er that ye witen why,
And beeth avysed wel
and sobrely
Er ye doon any
execucion
Upon youre ire for
suspecion.
Allas, a thousand
folk hath rakel ire
Fully fordoon, and broght hem in the mire.
The Manciple conveys the moral of the story, instructing "his son" to hold his tongue, do not use words idly, refrain from superfluous thoughtless speech, guard his tongue, and not be a chatterbox.
"Wherever you may be, with high or low,
Refrain your tongue and think upon the crow."
Whereso thou come,
amonges hye or lowe,
Kepe wel thy tonge and thenk upon the crowe.
The Manciple's Tale (1913) W. Russell Flint Source |
This tale was perhaps the most confusing of all of the tales. Of course, Phoebus' wife didn't deserve death for her infidelity, but why was it so terrible for Phoebus to be advised of what she had done? The crow only told the truth. Was it the manner in which he told the truth? Instead of having concern for the feelings of Phoebus and telling him privately, he blurted out the truth like a scandalmonger, with a sort of glee? I'm really puzzled. In any case, it is obvious from the start that the Manciple is a merry soul, who likes to tease and twist situations. Can we even take him seriously?
This story was taken from Ovid's Metamorphoses, which I hope to read next year, so I will be able to do a comparison.
The Monk's Tale
The Nun's Priest's Tale
The Second Nun's Tale
The Canon's Yeoman's Tale
The Nun's Priest's Tale
The Second Nun's Tale
The Canon's Yeoman's Tale
The Manciple's Tale
Great Review as usual Cleo! Human psychology twisted as it is, works in very irrational fashion. We always seem to dislike not only the culprit but also the bearer of the bad news, the one who introduces us to the culprit and his misdeeds.It really depends on the motive of the bearer of the bad news on how one reacts; but then we are hardly that logical by nature. May be the crow wanted all of Pheobus's attention? Love is often irrational and it leads us to do many a stupid things!
ReplyDeleteReally good points! I also noticed how Phoebus reacted with insensible anger towards his wife and regretted it, but then he turned around and acted the same way towards the crow. He certainly didn't learn any temperance from this experience. Which again proves the capriciousness of human nature. As always, I love your comments! :-)
DeleteYes, another great edition of the Chaucer critique and analysis. The more you write and the more I read, I am more impressed by the ways in which Chaucer portrayed such wonderfully flawed human characters, warts and all, within the framework of an ostensibly Christian pilgrimage epic. Your postings remind me of my current literary obsession -- the portrayals of the agon (struggle) in characters (against themselves, others, their world, their God, and more). You've pushed me toward revisiting all of the Canterbury Tales. I think they would tie in nicely with my other literary obsession: Flannery O'Connor. All the best to your from R.T. at the revived and revised Beyond Eastrod: http://beyondeastrodredux.blogspot.com/2015/11/flannery-oconnor-and-beyond-eastrod.html
ReplyDeleteThanks, R.T. It's good to hear from you again .... I've been wondering about you. Honestly (and I should say this quietly), I think Chaucer does better characterizations than Shakespeare, and that's saying something! Thanks for the new blog link! I'll check it out!
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